World's first digital camera to capture realistic 3D stills and movies.
3D Photography
The Real 3D W1 camera features the newly developed "Real 3D Lens System." To achieve a natural, 3D image, it was necessary to flawlessly layer together two images, so two Fujinon lenses, renowned for their high resolution and exquisite rendering, were installed. A robust aluminum die-cast frame has been used to protect the lenses from vibration and impact. A 3x optical zoom, deemed difficult to achieve in 3D photography because of the precision required to align two lenses, is also possible. Moreover, the "RP (Real Photo) Processor 3D" which is based on photo technology that Fujifilm has developed over the years, synchronizes data passed to it by the two lenses and two CCD sensors, to determine shooting conditions such as focus, brightness and tonality to instantaneously blend this information into a single symmetrical image, for both stills and movies. The 3D/2D LCD monitor features Fujifilm's own LCD panel, exclusively for the display of 3D/2D images on digital cameras, allowing you to see beautiful, natural 3D images with the naked eye. As the camera performs a series of image processing steps automatically, anyone can take 3D stills and videos with superb picture quality by just pointing the camera and pressing the shutter button.
Creative controls
The Real 3D camera allows you to adjust the settings to suit the scene being photographed. When using the 3D two-shot function, the camera shifts to take the second shot after taking the first shot, and saves a single 3D image in the camera manually. This allows you to edit the 3D images, particularly useful for long zoom telephoto shots where a 3D image is difficult to achieve, or conversely, macro shots, where the 3D effect can be too strong.
3D "Interval Shooting" allows further flexibility; it is possible to take two shots from different viewpoints continuously while the photographer is moving, for example by train, airplane, or car, etc., to achieve 3D images of long-distance views. Users can enjoy more dynamic 3D shots, whether they are capturing a sea of clouds from an airplane, or taking 3D shots of distant views from a car window. By using the "Parallax Control" function, the 3D images can be manually adjusted, either during filming or while viewing the images on the LCD monitor; this simplicity-of-use lets users really get creative when shooting in 3D!
2D photography
Don't overlook the fact that this camera also brings fun new possibilities in 2D photography! You can really take advantage of the fact that this is actually two digital cameras in one. The "Advanced 2D Mode" uses Dual Capture simultaneous shooting which lets users take two different shots simultaneously by pressing the shutter once. With "Tele+Wide Shooting", it is possible to take a close-up photo of the subject and, at the same time, a photo with a wider span - just by changing the settings of the two lenses. With "Colour Mode" Dual Shooting users can take photos of the same scene with different color tonalities, for example, "Standard" and "Fujichrome", which works by changing the processing signals on the two sensors.
FinePix REAL 3D W1 Camera |
| Number of effective pixels *1 |
|
| CCD sensor |
|
| Storage media |
- Internal memory (Approx. 42MB)
- SD memory card
- SDHC memory card *2
|
| File format |
- 3D Still image:
-
MPO+JPEG, MPO (Multi Picture Format compatible)
- 2D Still image:
-
JPEG (Exif Ver 2.2 *3)
(Design rule for Camera File system compliant / DPOF-compatible)
- 3D Movie:
-
3D-AVI (Stereo AVI format witd 2 image channels)
- 2D Movie:
-
AVI format (Motion JPEG witd sound)
|
| Number of recorded pixels |
L: 4:3 3,648 x 2,736 / L: 3:2 3,648 x 2,432 / M: 4:3 2,592 x 1,944 / S: 4:3 2,048 x 1,536 pixels
|
| Lens |
Fujinon 3x optical zoom lens, F3.7(W) - F4.2(T)
|
| Lens focal lengtd |
f=6.3 - 18.9mm, equivalent to 35.0 - 105.0mm on a 35mm camera
|
| Zoom |
- 3D:
-
up to 3.8x (Combined optical and digital zoom)
- 2D:
-
up to 17.1x (Combined optical 3x zoom and digital 5.7x zoom)
|
| Aperture |
Wide: F3.7 / F5 / F8, Telephoto: F4.2 / F5.6 / F9
|
| Focus distance (from lens surface) |
- Normal:
-
- Approx. 60cm / 2ft. to infinity
- Macro (2D only):
-
- Wide: Approx. 8cm - 80cm / 0.3ft. - 2.6ft.
- Telephoto: Approx. 60cm - 3m / 2.0ft. - 9.8ft.
- Quick AF:
-
- Approx. 1m / 3.3ft. to infinity
|
| Sensitivity |
Auto / Equivalent to 100 / 200 / 400 / 800 / 1600 (Standard Output Sensitivity)
|
| Exposure control |
TTL 256-zones metering, MULTI, SPOT, AVERAGE
|
| Exposure mode |
Programmed AE, Aperture Priority AE, Manual
|
| Shooting modes |
- SP mode:
-
Natural light, Natural light and witd Flash, Portrait, Landscape, Sport, Night, Night (Tripod), Sunset, Snow, Beach, Underwater, Party, Anti-Blur
- ADV 3D:
-
Interval 3D shooting, Individual shutter 3D shooting
- ADV 2D:
-
Tele/Wide simultaneous shooting, 2-Color simultaneous shooting, 2-Sensitivity simultaneous shooting
|
| Shutter speed |
- Night:
-
- Night (Tripod):
-
- Manual:
-
- All otder modes including AUTO:
-
|
| Continuous shooting |
- 3D:
-
- Top-40 (max. 2 frames/sec. "S" only)
- 2D:
-
- Top-40 (max. 1 frame/sec.)
- High speed Top-40 (max. 3 frames/sec., "S" only)
|
| Focus |
- Mode:
-
- AF mode:
-
- 3D: Center
- 2D: Center, Multi (for Face Detection off only)
|
| White balance |
Automatic scene recognition
Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm white), Fluorescent light (Cool white), Incandescent light, Underwater lighting
|
| Self-timer |
Approx. 10sec. / 2sec. delay
|
| Flash |
Auto flash
Effective range: (ISO AUTO):
- Normal
-
- Wide: Approx. 60cm - 3.7m / 2ft. - 12.1ft.
- Telephoto: Approx. 60cm - 3.3m / 2ft. - 10.8ft.
- Macro (2D only)
-
- Wide Approx. 30cm - 80cm / 1ft. - 2.6ft.
- Telephoto: Approx. 60cm - 1.6m / 2ft. - 5.2ft.
- Red-eye removal OFF: Auto, Forced Flash, Suppressed Flash, Slow Synchro.
- Red-eye removal ON: Red-eye Reduction Auto, Red-eye Reduction & Forced Flash, Suppressed Flash, Red-eye Reduction & Slow Synchro.
|
| LCD monitor |
2.8-inch, Approx. 230,000 dots color LCD monitor witd Light Direction Control, Approx. 100% coverage
|
| Movie recording |
640 x 480 pixels / 320 x 240 pixels (30 frames/sec.) witd stereo sound
* Zoom function cannot be used during movie recording.
|
| Photography functions |
- 3D:
-
Auto parallax control, Power management, Framing guideline, Frame No. memory
- 2D:
-
Face Detection (witd Red-eye removal), Power management, Framing guideline, Frame No. memory
|
| Playback functions |
- 3D:
-
Parallax adjustment, Multi-frame playback (witd Micro tdumbnail), Cropping, Resize, Sorting by date, Slideshow
- 2D:
-
Face Detection (witd Red-eye removal), Multi-frame playback (witd Micro tdumbnail), Sorting by date, Cropping, Resize, Slideshow, Image rotate
|
| Video output |
|
| Digital interface |
|
| Power supply |
NP-95 Li-ion battery (included), AC power adapter AC-5VC (included)
|
| Dimensions |
Approx. 123.6 (W) x 68 (H) x 25.6 (D) mm / 4.9 (W) x 2.7 (H) x 1.0 (D) in. (excluding accessories, battery and memory card)
|
| Weight |
Approx. 260g / 9.2oz (excluding accessories, batteries and memory)
|
3D Photography
The Real 3D W1 camera features the newly developed "Real 3D Lens System." To achieve a natural, 3D image, it was necessary to flawlessly layer together two images, so two Fujinon lenses, renowned for their high resolution and exquisite rendering, were installed. A robust aluminum die-cast frame has been used to protect the lenses from vibration and impact. A 3x optical zoom, deemed difficult to achieve in 3D photography because of the precision required to align two lenses, is also possible. Moreover, the "RP (Real Photo) Processor 3D" which is based on photo technology that Fujifilm has developed over the years, synchronizes data passed to it by the two lenses and two CCD sensors, to determine shooting conditions such as focus, brightness and tonality to instantaneously blend this information into a single symmetrical image, for both stills and movies. The 3D/2D LCD monitor features Fujifilm's own LCD panel, exclusively for the display of 3D/2D images on digital cameras, allowing you to see beautiful, natural 3D images with the naked eye. As the camera performs a series of image processing steps automatically, anyone can take 3D stills and videos with superb picture quality by just pointing the camera and pressing the shutter button.
Creative controls
The Real 3D camera allows you to adjust the settings to suit the scene being photographed. When using the 3D two-shot function, the camera shifts to take the second shot after taking the first shot, and saves a single 3D image in the camera manually. This allows you to edit the 3D images, particularly useful for long zoom telephoto shots where a 3D image is difficult to achieve, or conversely, macro shots, where the 3D effect can be too strong.
3D "Interval Shooting" allows further flexibility; it is possible to take two shots from different viewpoints continuously while the photographer is moving, for example by train, airplane, or car, etc., to achieve 3D images of long-distance views. Users can enjoy more dynamic 3D shots, whether they are capturing a sea of clouds from an airplane, or taking 3D shots of distant views from a car window. By using the "Parallax Control" function, the 3D images can be manually adjusted, either during filming or while viewing the images on the LCD monitor; this simplicity-of-use lets users really get creative when shooting in 3D!
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